An analysis of the sound and the fury by william faulkner 1929
The sound and the fury shmoop
Deciding to pass himself off as an Englishman and enlist in the Canadian RAF, he changed the spelling of his name to Faulkner and invented a mythical British family for himself, using a forged letter of reference from one Reverend Edward Twimberly-Thorndyke. Through her we sense the consequences of the decadence and depravity in which the Compsons have lived for decades. And all our yesterdays have lighted fools The way to dusty death. To Quentin Caddy's sexuality is a sign of the dissolution of the antebellum Southern world of family honor and the event that spurs him to commit suicide. All but the second section are set in fictional Yoknapatawpha County, Mississippi, in April She, in contrast to the declining Compsons, draws a great deal of strength from her faith, standing as a proud figure amid a dying family. The second of the four, Quentin's narrative, is dated June 2, —the day he drowned himself at the end of his first year at Harvard. Each of the four sections has a date rather than a chapter number. This memory provokes another: Benjy remembers visiting a cemetery to see the graves of his father and brother or Having been written sixteen years after The Sound and the Fury, the appendix presents some textual differences from the novel, but serves to clarify the novel's opaque story. Years after its publication, Faulkner expressed his dissatisfaction with The Sound and the Fury. It is also revealed that Jason had himself sound Benjy's legal guardian many years ago, without their mother's knowledge, and used this status have Benjy castrated. When the disgraced Caddy left the Compson household in , she did not take her daughter. When he finished the novel, Faulkner took it to his friend and acting agent, Ben Wasson, and said to him: "Read this, Bud. It is near-unanimously considered a masterpiece by literary critics and scholars, but the novel's unconventional narrative style frequently alienates new readers.
Benjy remembers seeing Caddy embracing a boy on the same swing, some time ago or Other crucial memories in this section are Benjy's change of name from Maury, after his uncle in upon the discovery of his disability; the marriage and divorce of Caddyand Benjy's castrationresulting from an attack on a girl that is alluded to briefly within this chapter when a gate is left unlatched and Benjy is out unsupervised.
This section also gives us the clearest image of domestic life in the Compson household, which for Jason and the servants means the care of the hypochondriac Caroline and of Benjy.
The sound and the fury characters
Not much happens in the three days in which the novel is mainly set; instead the stream of consciousness narration allows the reader to experience the history of the Compson family and step into the lives of this dwindling Southern family. While many first-time readers report Benjy's section as being difficult to understand, these same readers often find Quentin's section to be near impossible. Neither Caddy nor her daughter returned to Yoknapatawpha County. All but the second section are set in fictional Yoknapatawpha County, Mississippi, in April The book resembles a Greek tragedy, telling the story of Caddy, the "lost woman", from the point of view of her three brothers — each of whom is also, in an important way, lost — and then finally from the perspective of the Compsons' black servant, Dilsey. The sensation reminds him of an earlier time when Caddy uncaught him and led him through the fence. In that soliloquy , Macbeth reflects on time and the meaninglessness of life: Tomorrow, and tomorrow, and tomorrow Creeps in this petty pace from day to day To the last syllable of recorded time. This memory provokes another: Benjy remembers visiting a cemetery to see the graves of his father and brother or The third section is narrated by Jason. The focal point of his narration is his year-old niece, Miss Quentin, who, as Jason describes her, is very much like her mother: headstrong, rebellious, and promiscuous. But the novel is also layered with what Faulkner called "counterpoint" — careful patterns of words and images to create an artistic unity that transcends the fragmented perspectives on display.
Luster turns around to look at Benjy and sees Benjy holding his drooping flower. Through her we sense the consequences of the decadence and depravity in which the Compsons have lived for decades.
At this critical moment in American history, the South was in the process of redefining itself and its values in the absence of slavery. When one of them calls for his golf caddie, Benjy's mind embarks on a whirlwind course of memories of his sister, Caddy, focusing on one critical scene.
Neither Caddy nor her daughter returned to Yoknapatawpha County. In her old age she has become an abusive hypochondriac.
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